Photographer Medhin Paolos ("Asmarina") during The Royal African Society’s Annual Film Festival 2016. London, Tuesday 3 November 2016. (Photos/Ivan Gonzalez)

Director of Children of the Mountain, Priscilla Anany during The Royal African Society’s Annual Film Festival 2016. Priscilla Anany was born in Ghana and is an advocate of women’s empowerment and likes to tell stories about women and their strengths. London, Friday 4 November 2016. (Photos/Ivan Gonzalez)

Film Africa DAY 9 HIGHLIGHTS | Drumming Workshop at Rich Mix, British-Egyptian actor Khalid Abdalla at ICA and Ghanaian director Priscilla Anany at Bernie Grant Arts Centre. (Photos/Ivan Gonzalez)

CLOSING GALA 2016 | Malian director Daouda Coulibaly’s auspicious debut feature Wùlu (‘dog’ in Bambara) during The Royal African Society’s Annual Film Festival 2016 at Ciné Lumière. London, Sunday 6 November 2016. (Photos/Ivan Gonzalez)

Opening Gala - Kalushi: The Story of Solomon Mahlangu during The Royal African Society’s Annual Film Festival 2016. Followed by a Q&A with director Mandlanksyise Walter Dube and actor Thabo Rametsi. London, Friday 28 October 2016. (Photos/Ivan Gonzalez)

White Colour Black by Nigerian-British filmmaker Joseph A. Adesunloye during The Royal African Society’s Annual Film Festival 2016. Adesunloye’s debut feature is brimming with subtle intricacies of the Black British, mixed race experience, where questions of identity, place and belonging are omnipresent. London, Saturday 29 October 2016. (Photos/Ivan Gonzalez)

The Revolution Won’t Be Televised by Rama Thiaw during The Royal African Society’s Annual Film Festival 2016. Rama Thiaw was born in 1978 in Nouakchott, Mauritania, and is half Senegalese. She is a writer, director and producer at BOUL FALLE IMAGES. London, Sunday 30 October 2016. (Photos/Ivan Gonzalez)

Director Anisia Uzeyman speaks during a Q&A about her movie, Dreamstates. Dreamstates tells the haunting tale of two wayward souls (Saul Williams and Anisia Uzeyman) discovering their love for one another while touring the U.S. with some of the most pivotal figures of the Afro-Punk movement. Shot entirely on an iPhone, Rwandan filmmaker Anisia Uzeyman’s daring debut feature is a sultry, sensual and quixotic underground journey between dreams and reality. London, Monday 31 October 2016. (Photos/Ivan Gonzalez)